Bart Everson

Media Arts

self-portrait with business card

Yes, I’m a card-carrying¬†“Media Artist.” But what does it mean?

It’s a concept that has evolved over the years. Once upon a time I called myself a Multimedia Specialist, and I spent my days building websites and CD-ROMs, learning various scripting languages and teaching people HTML. These days, it’s more about social media, apps, blogs and wikis.

While I’ve long¬†had a nuanced view of technology, I’ve been developing a critical perspective lately, as evidenced in presentations such as Social Media, Social Justice¬†and¬†Phantom Vibrations.


I got started in media arts through independent television production, way back in the analog era.¬†My career as a videographer began in the late 1980s with a documentary on the urinals of Indiana University.¬†As difficult as it may be to credit, this 40-minute zero-budget¬†movie¬†won a Citation Award from the Indiana Film Society in 1990. It was featured on PBS, and is now in the permanent collections of several major universities, including Indiana University’s world-renowned Folklore Institute.

However, my main claim to fame in the world of video is that I am co-creator of ROX. This underground television series began as a lark, almost a joke, but quickly transformed my life. The controversies engendered by the show¬†landed me on MTV¬†and¬†The Howard Stern Show, in The Wall Street Journal, The Village Voice, and Time Magazine. Wired called it “the best TV show in America,” and it¬†was the most popular show in the early days of Free Speech TV. In 1995, ROX became the first TV show on the internet, ten years before the launch of YouTube. And it’s still in production.

New Media

In light of my work with social media and my history with ROX, you are now fully prepared to enjoy the following prank:

Other projects have included the reality-based animation of The All New Christy Paxson Show (read all about the project) as well as no.rox, an experimental television series in New Orleans.


I’ve released a couple albums of experimental mashups. Despite their controversial nature and ambiguous legal status, they have even gotten a little airplay (thanks, WFMU). You can download my albums from Bandcamp. (Note: All my albums are available free. Name your own price ‚ÄĒ zero is okay!) You can also listen to my old band on Musical Family Tree.

I’ve produced a number of podcasts over the years. J&B’s Nightcap¬†was fun while it lasted.¬†Teaching, Learning, and Everything Else¬†began in 2008 and is still going strong. My newest entree is Editor B’s Morning Ride to Work. Give it a listen.


Sony NEX-5N

I’m also a photographer of sorts. I have published over 10,000 photos on Flickr. (Check out my photostream, or just a few of my favorites.) Lately I’ve been exhibiting in group shows hosted by Skewer Gallery at Kebab (New Orleans). Art critic Benjamin Morris calls my work “refreshing.”

I’m honored to have some of my work featured by the Spiritual Naturalist Society.

You may encounter my photos in various other places. For example, my photos have been featured on WWL-TV, in Forbes, Smithsonian, American Folklife,, Bill Moyers, Non Profit Quarterly,¬†Reason, ACLU, Grist,¬†The Green Party US, CounterPunch, ColorLines,¬†Newsweek,¬†Scholars Strategy Network, Moodle News,¬†Prospect Journal of International Affairs, Foreign Policy in Focus, Governing, Planetizen¬†(again),¬†Next City¬†(again), City Pages, Cafe Mom,¬†Muslim Voices, Christianity Daily, McMansion Hell, BuzzFlash,¬†Eco Friendly Pursuit, NaturaLista, Organic Authority, Spiral Nature, Matador Network, The Architect’s Newspaper, CMS Wire,¬†Legal Reader,¬†Thrillist, Money Talks News,,¬†The Local, Medium,¬†The Glen Echo,¬†About Travel, IHG Travel Blog,¬†Travel Pulse, The Pulse,¬†Grind TV,¬†NOLA Defender,,¬†Curbed New Orleans,¬†Gambit, (again),¬†The Lens, ViaNolaVie,¬†Good Magazine, Read the Spirit, Delta Patents, Maryland Reporter, Plum Deluxe, PopAnth,, Broad Street Review, Israel Book Review,¬†NL Times, OC Weekly,¬†The Melbourne Herald Sun,¬†Greater Greater Washington,¬†Iowa Public Radio, WNPR, PRI, CBS Austin, MJIN,¬†The Stoner’s Journal, Breitbart (ugh), Infowars (ugh ugh),¬†Who What Why (in collage), The Motley Fool, Patheos, Little Things,¬†BuzzFeed, Vice¬†(again),¬†TipHero, RootsRated,¬†LifeHacker,¬†Fast Company,¬†Mental Floss, Lonely Planet and Public News Service, as well as many others, including numerous Wikipedia articles. One of my most popular photos, “New Classroom,” has been used to illustrate nearly a hundred different stories in various venues, such as for example The Atlantic and North Carolina Public Radio (twice).

Here are some books that have featured my photography:

  • Branley, E. J. (2014). New Orleans Jazz. Arcadia Publishing.
  • Chen, E. H. B. L. B. J. (2006). Signs of Life.
  • Ferrante, J. (2010). Sociology: A Global Perspective, Enhanced. Cengage Learning.
  • Head, T. (2010). It‚Äôs Your World, So Change It: Using the Power of the Internet to Create Social Change. Que Publishing.
  • Kundiger, M. S. (2016). Bam Boom!: Bamboo – The Giant Grass. CreateSpace Independent Publishing Platform.
  • Kuo, M., & Methven, A. (2010). 100 Cool Mushrooms. University of Michigan Press.

My photos have been used as cover art for The Journal of College Writing (Vol. 12) and the ebooks Thin Film by William Olson and Family Murders by Henry Carver. I’ve even had a photo on the cover of the Louisiana Delta Yellow Pages.

You’ll even find my photos in apps such as the Bonide Product Finder.


Of course it‚Äôs all interconnected. I frequently address¬†the use and abuse of technology as part of my work in faculty development, and I’m particularly interested in supporting the creative process. I also produce a faculty development podcast: Teaching, Learning, and Everything Else. My writing addresses issues of technology and creativity,¬†and I often publish via¬†new media platforms. My art aims to give expression to my¬†spiritual practice,¬†which¬†in turn helps me maintain a healthier relationship with technology ‚ÄĒ or so I hope. My art serves my¬†activism¬†as well.